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On the Greek text. The Greek follows the standard critical text of the Septuagint (Rahlfs-Hanhart in its main wording, itself an ancient, public-domain text); the distinctively copyrighted critical apparatus is not reproduced. Versification follows the LXX.

The Book of the Prophet Isaiah (LXX) — Interlinear: Themes, Outlines & Translation Notes

A consolidated companion to the Isaiah data set: every chapter of LXX Isaiah (1-66) rendered as a six-tier Greek reverse-interlinear (Greek · gloss · parsing/case · syntax · semantic force · lexical note), with per-verse discourse analysis and a chapter argument-outline.

This document gathers the theme, the argument outline (the outline movements authored into each data file), and the translation / textual / exegetical notes (the text_note of each file, reproduced verbatim) — followed by a summary of the major translation and interpretive cruxes that were deliberately annotated rather than silently resolved. Isaiah is the great prophetic vision-book of judgment and consolation: Zion rebuked and purified, Immanuel promised, the nations measured and summoned, the Servant commissioned and wounded, the exiles comforted, and the new creation set before the restored people. In the Septuagint it is one of the New Testament's most determinative scriptural reservoirs, shaping Gospel infancy, passion, mission, ecclesiology, and eschatology through its Greek wording. The Greek follows the standard critical text of the Septuagint (Rahlfs–Hanhart in its main wording, itself an ancient public-domain text); the distinctively copyrighted apparatus is not reproduced, and versification follows the LXX.

Scope

Chapter Verses Words annotated Outline movements
Isaiah 1 31 582 5
Isaiah 2 21 440 5
Isaiah 3 26 497 5
Isaiah 4 6 140 5
Isaiah 5 30 668 5
Isaiah 6 13 307 5
Isaiah 7 25 518 5
Isaiah 8 23 510 5
Isaiah 9 20 448 5
Isaiah 10 34 655 5
Isaiah 11 16 350 5
Isaiah 12 6 115 5
Isaiah 13 22 418 5
Isaiah 14 32 628 5
Isaiah 15 9 187 5
Isaiah 16 14 280 5
Isaiah 17 14 326 5
Isaiah 18 7 184 5
Isaiah 19 25 528 5
Isaiah 20 6 141 4
Isaiah 21 17 297 5
Isaiah 22 25 488 5
Isaiah 23 18 307 5
Isaiah 24 23 395 5
Isaiah 25 12 228 5
Isaiah 26 21 364 5
Isaiah 27 13 300 5
Isaiah 28 29 557 5
Isaiah 29 24 552 5
Isaiah 30 33 791 5
Isaiah 31 9 233 5
Isaiah 32 20 325 5
Isaiah 33 24 466 5
Isaiah 34 17 351 5
Isaiah 35 10 207 5
Isaiah 36 22 493 5
Isaiah 37 38 784 5
Isaiah 38 22 424 5
Isaiah 39 8 237 5
Isaiah 40 31 529 5
Isaiah 41 29 563 5
Isaiah 42 25 486 5
Isaiah 43 28 514 5
Isaiah 44 28 609 5
Isaiah 45 25 574 5
Isaiah 46 13 244 5
Isaiah 47 15 337 5
Isaiah 48 22 449 5
Isaiah 49 26 636 5
Isaiah 50 11 268 5
Isaiah 51 23 589 5
Isaiah 52 15 300 5
Isaiah 53 12 286 5
Isaiah 54 17 347 5
Isaiah 55 13 305 5
Isaiah 56 11 253 5
Isaiah 57 21 399 5
Isaiah 58 14 409 5
Isaiah 59 21 462 5
Isaiah 60 22 478 5
Isaiah 61 11 214 4
Isaiah 62 12 269 3
Isaiah 63 19 418 4
Isaiah 64 11 205 3
Isaiah 65 25 605 3
Isaiah 66 24 606 5
Total 1289 27,075 321

Each annotated word carries Greek, a working gloss, color-coded grammatical case, parsing (Tense·Voice·Mood·Person·Number + lemma), a Wallace-style syntactic-function label, an aspectual semantic-force label (verbal forms), and a condensed lexical note. As translation Greek, the annotation additionally flags Hebraisms and the underlying Hebrew idiom where it illuminates the rendering.


The argument of the book

The macro-structure of the whole book — its major movements — under which the chapter-by-chapter detail below unfolds. Isaiah gathers courtroom accusation, royal sign-oracles, Assyrian crisis narrative, exilic consolation, Servant poetry, and final eschatological vision into a single theological drama. The annotation tracks both the book's literary turns and the Septuagint's especially consequential renderings. (Section divisions are interpretive; the more common analysis is generally followed.)


Chapter-by-chapter

Isaiah 1 — ΗΣΑΪΑΣ Α′

Theme. Heaven and earth witness Judah's diseased injustice and rejected ritual.

Outline.

Translation & textual notes. Isaiah 1 functions as the book's great overture: a vision-title introduces a covenant lawsuit in which heaven and earth are summoned as witnesses, Judah is exposed as a diseased and devastated body, and the Lord rejects ritual performance severed from justice. The Septuagint preserves the chapter's judicial and liturgical force while also giving several lines its own profile, especially in the cultic denunciation of verses 13-15 and the purification imagery of verses 24-27. The movement of the chapter is deliberate. It begins with rebellion described in filial terms, turns to the futility of sacrifices offered by bloody hands, then opens a real path of return through cleansing, justice, and reasoned submission to the Lord's word. The closing strophe holds together two outcomes that will govern much of Isaiah: Zion can be purged and restored into a faithful city, but idolaters who cling to their desired groves and handmade strength will perish with the works they trusted.

Isaiah 2 — ΗΣΑΪΑΣ Β′

Theme. Zion's latter glory stands over against human pride and coming humiliation.

Outline.

Translation & textual notes. Isaiah 2 sets one of the book's defining juxtapositions in place. The chapter opens with the exalted mountain of the Lord and the nations streaming to Zion for instruction, so that Torah, arbitration, and peace go out from Jerusalem to the world. The same chapter then pivots sharply to Judah's actual condition: the land is full of omens, wealth, cavalry, and idols, and therefore ripe for the day in which the Lord alone will be exalted. The Septuagint's wording sharpens several images, including the house of God set visibly on the mountain heights, the catalog of human grandeur brought low, and the grotesque disposal of silver and gold abominations to the bats. Taken as a whole, the chapter contrasts true elevation with false height: Zion is lifted because the Lord teaches there, whereas every self-made eminence, military, commercial, cultic, or political, collapses before his appearing.

Isaiah 3 — ΗΣΑΪΑΣ Γ′

Theme. Jerusalem's failed leadership and proud display collapse under judgment.

Outline.

Translation & textual notes. Isaiah 3 moves from announced deprivation into civic collapse and then into a focused indictment of Jerusalem's social and symbolic pride. The chapter begins with the Lord removing every visible support of public life: food, water, warriors, judges, prophets, and skilled advisers. That loss produces a grotesque inversion of order in which children rule, the base insult the honored, and no one is willing to take responsibility for the city's ruin. From verse 8 onward the oracle becomes an explicit lawsuit, insisting that Jerusalem's speech and conduct rebel openly against the Lord and that its rulers have consumed the vineyard while crushing the poor. The closing section turns to the daughters of Zion, whose studied hauteur and ornamental splendor become a sign of the same diseased society; the Septuagint lingers over luxury vocabulary before reversing it all into dust, rope, baldness, sackcloth, bereavement, and abasement. Several catalog terms in verses 18-23 are distinctly Septuagintal and deserve to be read as the Greek text's own portrait of elite display rather than as a simple mirror of the Masoretic inventory.

Isaiah 4 — ΗΣΑΪΑΣ Δ′

Theme. After purging judgment, Zion's remnant stands holy under the Lord's sheltering glory.

Outline.

Translation & textual notes. Isaiah 4 is short, but it performs an important turn in the book's early movement from judgment to purified hope. Verse 1 still belongs to the shame-world created by chapter 3: male loss in war is so severe that seven women grasp one man and ask only for the removal of reproach. From verse 2 onward, however, the Septuagint pivots to remnant theology. The Greek does not merely speak of a branch; it says that God will shine forth in counsel with glory upon the land, with the aim of exalting and glorifying what has been left of Israel. The survivors in Zion are named holy and described as those written for life in Jerusalem, language that combines civic restoration with cultic consecration. The chapter closes with an Exodus-like canopy of cloud, smoke, and fiery light over Zion, suggesting that after purging by judgment and burning, the Lord's presence will once again cover and shelter the holy remnant.

Isaiah 5 — ΗΣΑΪΑΣ Ε′

Theme. The ruined vineyard yields woe, and Judah is summoned to invasion.

Outline.

Translation & textual notes. Isaiah 5 is structured around the vineyard song and the sequence of woe oracles that flow out of it. The Septuagint preserves the agricultural and judicial force of the chapter with vivid terms for the hedge, tower, vat, trampling, and the measured disappointment of the owner, then turns explicitly from metaphor to accusation when the vineyard is identified as Israel and Judah. Particularly striking in the Greek is the contrast between what the Lord sought and what he found: justice gives way to lawlessness, righteousness to a cry. The latter half of the chapter then unfolds the social anatomy of that failure in greedy land-taking, intoxicated revelry, moral inversion, bribery, and confident contempt for prophetic warning, before climaxing in the image of a far-off nation summoned as the instrument of judgment.

Isaiah 6 — ΗΣΑΪΑΣ Ϛ′

Theme. Isaiah is undone, cleansed, and sent to a people who will not perceive.

Outline.

Translation & textual notes. Isaiah 6 presents the prophet's call as a temple vision in which divine holiness overwhelms human speech, worship, and vocation. The Septuagint emphasizes the enthroned Lord's exaltation, the seraphic trisagion, and the filling of the house with glory and smoke, then moves from Isaiah's confession of unclean lips to his purification by a coal from the altar. The chapter's commission is paradoxical: the prophet is sent precisely into a setting where hearing does not become understanding and sight does not become perception. Yet the conclusion does not end in pure negation; even after devastation and renewed stripping, the imagery of the remaining tenth preserves the logic of a remnant that survives judgment.

Isaiah 7 — ΗΣΑΪΑΣ Ζ′

Theme. In the Syro-Ephraimite crisis, unbelief meets the sign of Immanuel.

Outline.

Translation & textual notes. Isaiah 7 is the great Immanuel chapter set within the Syro-Ephraimite crisis. The Septuagint keeps the political pressure of the scene vivid: the house of David shakes like trees in a forest, Isaiah meets Ahaz at the waterworks, and the prophet is sent with the embodied sign of his son while another sign is offered to the king himself. The chapter moves from reassurance through judgment. Rezin and the son of Remaliah cannot establish their anti-Davidic plan, yet Ahaz's refusal of the offered sign does not cancel the Lord's word; instead the Lord gives a sign to the house of David in the conception and naming of Emmanuel. The second half of the chapter then reorients the crisis by showing that Assyria, the power Ahaz is tempted to trust, will become the instrument that strips the land, turning cultivated abundance into razor-shaven humiliation, sparse pastoral subsistence, and thorn-filled desolation.

Isaiah 8 — ΗΣΑΪΑΣ Η′

Theme. Inscribed judgment, household signs, and holy fear test the people under Immanuel.

Outline.

Translation & textual notes. Isaiah 8 extends the Immanuel crisis by turning prophecy into inscription, family sign, and public test. The Septuagint foregrounds the written tablet and the child with the rapid-plunder name, so that the downfall of Damascus and Samaria is fixed in advance before it occurs. The chapter then contrasts two waters: the quiet waters of Siloam, which the people refuse, and the overwhelming river identified with the king of Assyria, which floods the land. That political section gives way to a sustained theological exhortation about fear, holiness, stumbling, and trust. The Lord must be sanctified rather than the panic of the crowd. Those who rely on him find a sanctuary; those who resist encounter a stone of stumbling. The closing verses oppose prophetic law and divine testimony to necromantic consultation and end in hunger, darkness, and constriction, while the final verse points forward to the dawn that follows in the next chapter.

Isaiah 9 — ΗΣΑΪΑΣ Θ′

Theme. Light dawns, a royal child is proclaimed, and judgment still burns against Israel.

Outline.

Translation & textual notes. Isaiah 9 opens with the Septuagint's light-oracle to a people walking in darkness, then moves through release imagery, royal-child proclamation, and a sustained judgment refrain against Jacob and Israel. The Greek preserves the famous naming of the child as μεγάλης βουλῆς ἄγγελος, a rendering that gives the royal oracle an explicitly proclamatory and revelatory cast. The latter half of the chapter turns from promised peace to Ephraim's pride, corrupt leadership, and self-consuming violence, each cycle ending with the warning that the Lord's anger has not turned away and his hand remains raised.

Isaiah 10 — ΗΣΑΪΑΣ Ι′

Theme. Assyria is the Lord's rod until its arrogance also falls.

Outline.

Translation & textual notes. Isaiah 10 continues the woe-cycle by condemning unjust decrees, then refigures Assyria as the Lord's rod: a commissioned instrument that nevertheless overreaches in arrogant self-exaltation. The Septuagint keeps the alternation between divine purpose and imperial boast, and it sharpens the theological irony by asking whether an axe or saw can magnify itself over the one who wields it. The chapter then turns toward remnant theology, promising that the survivors of Jacob will rest their confidence on the Holy One of Israel in truth, before closing with a vivid march of the Assyrian advance and the sudden felling of the proud by the Lord Sabaoth.

Isaiah 11 — ΗΣΑΪΑΣ ΙΑ′

Theme. Jesse's shoot brings Spirit-filled justice, peace, and regathered Israel.

Outline.

Translation & textual notes. Isaiah 11 presents the Spirit-endowed shoot from Jesse as the agent through whom royal justice, cosmic peace, and a new gathering of God's people are brought together. The Septuagint keeps the Davidic imagery of root, rod, and flower, yet it also sharpens several lines in ways that matter for interpretation: the ruler is filled with the fear of God, judges not by visible glory or reported speech, and destroys the ungodly by the breath that proceeds through his lips. The middle section's animal tableau is not merely decorative; it dramatizes a reordered creation in which predation, fear, and harm are displaced by the knowledge of the Lord. The closing movement then widens from the ruler himself to a second exodus. Scattered Israel and Judah are regathered from the nations, mutual jealousy is removed, hostile borders are overcome, and the drying of Egyptian and riverine barriers recalls the foundational deliverance of the exodus while projecting it into an eschatological future.

Isaiah 12 — ΗΣΑΪΑΣ ΙΒ′

Theme. Restored Israel answers salvation with wells, song, and public thanksgiving.

Outline.

Translation & textual notes. Isaiah 12 is a compact hymn that answers the promises of the preceding chapter with public thanksgiving. Its repeated phrase 'in that day' frames the song as the liturgical voice of the restored community. The Septuagint presents salvation not only as deliverance granted by God but as the sphere in which the singer stands: the speaker trusts, is saved in God, and confesses the Lord as both glory and praise. The water imagery of verse 3 gathers the chapter's theology into a concrete act of joyful drawing from the springs of salvation, while verses 4-6 widen the song from personal gratitude to international proclamation. Zion ends the hymn as the place where the Holy One of Israel is exalted in her midst, so the chapter functions as a doxological seal on the new-exodus and new-creation hopes announced in Isaiah 11.

Isaiah 13 — ΗΣΑΪΑΣ ΙΓ′

Theme. Babylon is mustered for the day of the Lord and left desolate.

Outline.

Translation & textual notes. Isaiah 13 is the opening Babylon oracle, framed as a prophetic vision and developed as a day-of-the-Lord assault that begins with the mustering of a divine army and ends with the permanent desolation of the imperial city. The Septuagint heightens the scene with distinctive Greek features: the invaders are described as sanctified and giant-like agents of wrath (13:3), the heavenly host including Orion is darkened (13:10), and Babylon's aftermath is populated by eerie wilderness beings such as sirens, demons, and onocentaurs (13:21-22). The chapter moves from summons, to cosmic terror, to historical instrumentality in the Medes, and finally to an anti-creation wilderness where no ordinary civic life can return. The notes below follow the Greek diction as it stands, especially where the LXX's phrasing sharpens the themes of proud imperial collapse and irreversible divine visitation.

Isaiah 14 — ΗΣΑΪΑΣ ΙΔ′

Theme. Jacob is restored, and the fallen tyrant becomes a taunt in Sheol.

Outline.

Translation & textual notes. Isaiah 14 begins as a restoration oracle for Jacob and then pivots into one of the Septuagint's most memorable taunt songs against a fallen imperial ruler. The chapter first reverses servitude, imagining foreigners joined to Israel and former captors themselves reduced to subjection (14:1-2), then develops a funeral-lament over the king of Babylon in which earth, Lebanon, Hades, and the kings of the nations all participate. The famous line about the ἑωσφόρος, the morning star fallen from heaven (14:12), belongs here to the rhetoric of arrogant royal self-exaltation brought violently low. The chapter closes by widening the horizon from Babylon to Assyria and Philistia, showing that the Lord's fixed counsel reaches every imperial or hostile power that opposes Zion. The annotations below follow the Greek chapter as a unified movement from restored Jacob, to mocked tyrant, to the unanswerable purpose of the Lord.

Isaiah 15 — ΗΣΑΪΑΣ ΙΕ′

Theme. Moab's cities collapse into tears, flight, and public lament.

Outline.

Translation & textual notes. Isaiah 15 is the opening movement of the Septuagint's oracle against Moab. The chapter is structured as a cascading lament: the fall of Moab's fortified places is announced first, then the poem follows the sound of public mourning from shrine to street, from city to city, and finally out to the borders and waters of the land. The Greek keeps the rapid pulse of repeated place-names and cry-words, so the effect is less a detached prediction than a geography of grief. Several lines are notably Septuagintal in shape, especially where the translator compresses the disaster into nightfall, gives voice to Moab's own inward collapse, and turns the final image toward blood-filled waters and an added Arab threat. The annotations below follow the LXX wording as it stands and treat the chapter as a lamenting judgment speech whose rhetoric moves from cultic humiliation to ecological ruin and near-total depopulation.

Isaiah 16 — ΗΣΑΪΑΣ ΙϚ′

Theme. Moab seeks refuge, yet pride still brings measured ruin.

Outline.

Translation & textual notes. Isaiah 16 continues the Moab oracle by shifting from raw lament to counsel, refuge, and the measured collapse of Moab's pride. The Greek chapter begins with unstable images of creeping creatures, displaced birds, and fugitives seeking shelter, then turns toward the counter-image of a mercifully established throne in the tent of David. That Davidic note is set over against Moab's insolence, so the center of the chapter contrasts righteous rule with arrogant self-exaltation. The latter half returns to mourning, especially over fields and vineyards, but the lament is now spoken with a more intimate register: the speaker's inward parts resound like a harp for Moab. The close is characteristically Septuagintal in its combination of failed cult, exhausted prayer, and a fixed three-year horizon for the humiliation of Moab's glory. The annotations below therefore read the chapter as both compassionate lament and settled sentence, with special attention to the LXX's distinct imagery and cadence.

Isaiah 17 — ΗΣΑΪΑΣ ΙΖ′

Theme. Damascus and Ephraim fall, and human reliance is exposed as empty.

Outline.

Translation & textual notes. Isaiah 17 is the oracle against Damascus, but the Septuagint shapes the chapter as a double judgment on Syria and Ephraim that opens outward into a wider theology of human reliance. The first movement announces the collapse of Damascus and the fading of Ephraim's security, then describes Jacob's glory as reduced to gleanings left after harvest or a few berries at the top of an olive tree. From 17:7 onward the chapter turns toward repentance: when the collapse comes, human beings will look again to their maker rather than to altars, groves, and handcrafted abominations. The closing verses widen the horizon from local judgment to the roaring of many nations, only to insist that the tumult of imperial peoples is as unstable as chaff before the wind. The Greek preserves vivid agricultural and storm imagery throughout, and several lines read as free Septuagintal renderings rather than strict lexical mirrors of the Hebrew, so the notes below track the LXX's own rhetoric as the primary object of interpretation.

Isaiah 18 — ΗΣΑΪΑΣ ΙΗ′

Theme. The distant river-land is watched until the Lord gathers tribute at Zion.

Outline.

Translation & textual notes. Isaiah 18 addresses the mysterious land beyond the rivers of Ethiopia in language that is both geographic and highly imagistic. The Septuagint opens with a woe over a region marked by winged ships and river traffic, then describes papyrus dispatches and swift messengers sent to a people portrayed as lofty, foreign, and politically exposed. The middle of the chapter turns from diplomacy to divine observation: while the nations move and signal from mountain heights, the Lord speaks of calm, luminous stillness before the harvest. That stillness is not indifference but poised judgment, for before the fruit fully ripens the clusters are cut away and left to birds and beasts. The final verse reverses the direction of tribute by imagining gifts brought to the Lord of hosts at Zion from the very people earlier described as afflicted and trampled. The Greek chapter's ethnographic terms and compressed metaphors are not always easy to map one-for-one onto the Hebrew, so the annotations below stay close to the LXX diction and its own literary movement.

Isaiah 19 — ΗΣΑΪΑΣ ΙΘ′

Theme. Egypt is struck, humbled, healed, and astonishingly drawn into the Lord's worship.

Outline.

Translation & textual notes. Isaiah 19 begins as an oracle against Egypt, but the Septuagint lets the chapter move far beyond simple denunciation. The opening stanzas portray the Lord as a divine rider coming swiftly upon a light cloud, so that idols tremble, civil order collapses, and the Nile-based economy withers from river to reed, fisher, loom, and brewing vat. The middle section exposes the futility of Egyptian wisdom: Tanis and Memphis cannot interpret the Lord's purpose because he has mixed among them a spirit of delusion. Yet the chapter does not end in ruin. From verse 16 onward fear opens into recognition, and the Greek develops one of Isaiah's most startling international visions: Egyptian cities speak the language of Canaan, an altar and pillar stand for the Lord in Egypt, the Egyptians cry out and are healed, and finally Egypt, Assyria, and Israel stand together within the Lord's blessing. The annotations below therefore track both the chapter's judgment rhetoric and its unexpected movement toward transnational worship and healing in the LXX.

Isaiah 20 — ΗΣΑΪΑΣ Κ′

Theme. Isaiah's naked sign warns that Egypt and Cush cannot save.

Outline.

Translation & textual notes. Isaiah 20 is brief but rhetorically sharp. The chapter begins with a historical notice about the Assyrian attack on Ashdod, then turns to a prophetic sign-act in which Isaiah walks naked and barefoot as a living portent. In the Septuagint this enacted oracle interprets the fate not only of Egypt but also of Ethiopia: the very nations in which others hoped will themselves be led away exposed and ashamed by the king of Assyria. The chapter's power lies in the movement from symbolic obedience to geopolitical unmasking. Trust in impressive southern powers proves as fragile as clothing stripped from the body, and the coastland observers are left asking how anyone who relied on such allies will now escape. The annotations below follow the LXX's compact historical frame, its sign language, and its polemic against misplaced political confidence.

Isaiah 21 — ΗΣΑΪΑΣ ΚΑ′

Theme. Babylon, Dumah, and Arabia hear brief night-oracles of collapse and waiting.

Outline.

Translation & textual notes. Isaiah 21 gathers three short burdens into a single chapter, and the Septuagint gives them a distinctive rhetorical shape. The first movement presents the 'desert' vision as a storm-driven report whose emotional center is not only Babylon's fall but the prophet's bodily distress before that fall arrives. The watchman scene then slows the chapter down: the command to stand guard, the repeated attention to seeing and hearing, and the climactic cry that Babylon has fallen make divine judgment arrive through testimony rather than through battle narrative alone. The brief exchange about Idumea compresses wakefulness, inquiry, and delay into a dark riddle, while the final section turns toward Arabia and measures political collapse in terms of fugitives, thirst, bread, and a hired worker's fixed year. Across the whole chapter the Greek is interested in surveillance, exhaustion, and the sudden stripping away of regional glory, so the annotations below follow the LXX's own literary sequencing rather than flattening the three burdens into a single undifferentiated oracle.

Isaiah 22 — ΗΣΑΪΑΣ ΚΒ′

Theme. Jerusalem's panic, false festivity, and proud stewards are brought low.

Outline.

Translation & textual notes. Isaiah 22 is one of the LXX's sharpest prophetic portraits of civic panic without repentance. The opening burden names Zion paradoxically as a valley, then shows the city animated by noise, rooftop activity, waterworks, and fortifications, yet morally unmoored because it does not look to the one who made and formed it. The middle of the chapter contrasts the Lord's call to mourning with the population's chosen feast, crystallized in the nihilistic maxim about eating and drinking before death. The final section turns from public crisis to office-holding, first humiliating Somnas and then elevating Eliakim with robe, crown, and Davidic glory; yet even that stabilizing transfer is qualified by the last verse, where what seems firmly fixed can still be shaken down. The Greek wording highlights both the administrative texture of the passage and the instability of all merely human security, so the notes below keep together the themes of siege preparation, failed perception, and delegated authority.

Isaiah 23 — ΗΣΑΪΑΣ ΚΓ′

Theme. Tyre's maritime glory is stripped down by the Lord of hosts.

Outline.

Translation & textual notes. The Septuagint's Tyre oracle leans hard into maritime commerce: ships of Carthage, Kittim, Sidon, and Canaan frame Tyre as a sea-borne trading power whose prestige is dismantled by the Lord of hosts. The Greek also sharpens the chapter's ironic turn by letting Tyre's commerce return only to be redirected into something consecrated before the Lord, so the chapter moves from mercantile pride through humiliation to a surprising sanctification of gain.

Isaiah 24 — ΗΣΑΪΑΣ ΚΔ′

Theme. The whole earth reels under covenantal judgment and cosmic undoing.

Outline.

Translation & textual notes. Isaiah 24 in the Septuagint broadens the horizon from one nation to the whole inhabited world and layers the judgment with covenantal and cosmic language. The Greek stresses universal leveling, the violation of law and everlasting covenant, and finally the collapse of earthly and heavenly powers before the Lord's reign in Zion and Jerusalem, so the chapter reads as both social unmaking and theophanic world-judgment.

Isaiah 25 — ΗΣΑΪΑΣ ΚΕ′

Theme. The fallen city gives way to trust, feast, and swallowed-up death on Zion.

Outline.

Translation & textual notes. Isaiah 25 in the Septuagint turns the collapse of the arrogant city into a liturgy of trust and then widens into an eschatological feast on Zion. The Greek foregrounds the Lord's ancient and true counsel, his sheltering of the poor, and the striking sequence in which death is swallowed, tears are removed, and Moab's pride is trampled, so the chapter moves from praise through universal promise to anti-pride judgment.

Isaiah 26 — ΗΣΑΪΑΣ ΚϚ′

Theme. The strong city sings of trust, discipline, and life beyond death.

Outline.

Translation & textual notes. Isaiah 26 in the Septuagint is a song of the secure city, but it is also a meditation on trust, judgment, discipline, and resurrection hope. The Greek keeps the movement from the opened gates and straight way of the righteous to the failure of the ungodly, then turns into communal prayer, labor-pain imagery, and the promise that the dead will rise while the Lord's people hide briefly until wrath passes.

Isaiah 27 — ΗΣΑΪΑΣ ΚΖ′

Theme. The dragon falls, Jacob is purged, and the scattered are gathered to worship.

Outline.

Translation & textual notes. Isaiah 27 closes the cluster of judgment-and-restoration oracles with a strikingly Septuagintal sequence: the Lord's sword falls on the dragon, a desirable vineyard is sung over, Jacob's guilt is removed through the shattering of idolatrous altars, and the dispersed are finally gathered back for worship. The Greek text preserves the chapter's oscillation between threat and consolation, yet it also introduces distinctive turns of phrase, including the fortified-city imagery in verse 3 and the geographical sweep from the Euphrates channel to Rhinocorura in verse 12. Across the chapter the LXX presents judgment as measured rather than annihilating, so that purification, fruitfulness, and liturgical return become the goal of divine action.

Isaiah 28 — ΗΣΑΪΑΣ ΚΗ′

Theme. Ephraim's proud crown and Jerusalem's false refuge fail before Zion's cornerstone.

Outline.

Translation & textual notes. Isaiah 28 begins with a woe against Ephraim's proud crown and then turns sharply toward Jerusalem's rulers, whose false securities collapse before the Lord's storm and the cornerstone he lays in Zion. The Septuagint repeatedly sharpens the rhetoric through compressed aphorisms, unusual diction, and proverbial turns: drunken priests and prophets stagger, the hearers mock with clipped repetition, and the oracle answers with foreign speech, a tested stone, and the annulment of any pact with death. The chapter's final movement shifts into agrarian wisdom, arguing that the God of judgment also governs proportion, timing, and method. In the Greek chapter, therefore, terrifying judgment and measured divine pedagogy stand side by side.

Isaiah 29 — ΗΣΑΪΑΣ ΚΘ′

Theme. Ariel is besieged, stupor is exposed, and the blind finally see.

Outline.

Translation & textual notes. Isaiah 29 in the Septuagint binds the Ariel oracle, the polemic against spiritual stupor, and the promise of reversal into a single movement from siege to renewed perception. The Greek keeps Jerusalem under the symbolic name Ariel, then describes her humiliation in earthy, almost necromantic terms: her voice sinks to the dust while the nations that press against her dissolve like dream-food that cannot satisfy hunger. The middle of the chapter shifts from military pressure to epistemic judgment, portraying revelation as a sealed book and worship as lip-service detached from the heart. From verse 17 onward the chapter turns sharply toward restoration: deaf hear, blind see, the poor rejoice, and Jacob's children sanctify the Holy One of Israel. Several lines in the Greek are free or interpretive renderings rather than tight lexical mirrors of the Hebrew, so the notes below follow the LXX's own rhetoric of collapse, blindness, and transformed understanding.

Isaiah 30 — ΗΣΑΪΑΣ Λ′

Theme. Judah's Egyptian alliance fails, yet mercy waits beyond judgment.

Outline.

Translation & textual notes. Isaiah 30 in the Septuagint moves from Judah's failed diplomacy with Egypt to a broad theology of judgment and mercy. The first movement mocks the southern alliance as expensive futility, describing the desert embassy and insisting that Egypt offers only shame. The chapter then exposes the people's moral posture: they reject hard prophecy, prefer pleasing delusion, and therefore face collapse like a shattered pot or a breached wall. Yet the chapter does not end in ruin. From verse 18 onward the Greek turns toward compassion, guidance, agricultural renewal, and cosmic healing, while the closing stanzas portray the Lord himself coming in fiery speech to break Assyria and to expose every false security. The Septuagint's diction is vivid and at points expansive, especially in its treatment of delusion, liturgical imagery, and the final burning ravine, so the annotations below privilege the Greek chapter as a coherent theological performance in its own right.

Isaiah 31 — ΗΣΑΪΑΣ ΛΑ′

Theme. Egyptian horses fail, but the Lord shields Zion like a descending fire.

Outline.

Translation & textual notes. Isaiah 31 in the Septuagint resumes the anti-Egypt polemic but sharpens it with compact martial imagery. The opening woe treats Judah's southern diplomacy as a theological error before it is a strategic one: the people count horses, chariots, and numbers, yet they do not seek the Holy One of Israel. The chapter then contrasts creaturely strength with divine agency, insisting that Egyptian flesh cannot function as saving help once the Lord stretches out his hand. Its middle images move from lion to hovering birds, not to soften the oracle but to show the Lord's unchallenged resolve both to attack and to protect. The ending joins repentance, rejection of idols, and Assyria's collapse, so the Septuagint presents Zion's safety as the fruit of returning to the Lord rather than of imported military power.

Isaiah 32 — ΗΣΑΪΑΣ ΛΒ′

Theme. Righteous rule exposes complacency until the Spirit renews the land.

Outline.

Translation & textual notes. Isaiah 32 in the Septuagint moves from the promise of righteous rule to a searching critique of folly and complacency before ending in Spirit-borne renewal. The opening strophe imagines a just king and discerning rulers whose presence becomes shelter, refreshment, and restored perception. The middle section distinguishes fools and schemers from the pious, showing that speech, counsel, and public judgment all belong to the chapter's moral vision of governance. The address to wealthy women then interrupts the ideal scene with a warning of agricultural collapse, civic desolation, and grief. Only when the Spirit comes from on high does wilderness become fruitful, justice find rest, and the people dwell in peace, so the Greek chapter binds political righteousness, social discernment, judgment, and restoration into a single prophetic movement.

Isaiah 33 — ΗΣΑΪΑΣ ΛΓ′

Theme. The destroyer is answered by Zion's secure future under the Lord's kingship.

Outline.

Translation & textual notes. Isaiah 33 in the Septuagint moves from a woe against the destroyer to a vision of Zion's secure future under the Lord's kingship. The chapter begins with reversal: the one who devastates others will himself be seized, while Judah pleads for mercy in a time of affliction. The middle movements alternate between divine self-exaltation and exposure of the nations' fear, stressing that wisdom, law, and reverent knowledge of the Lord are Zion's real treasure rather than diplomacy or force. The closing section sharpens the ethical demand placed upon those who would dwell near the consuming fire, then turns toward a transformed Jerusalem whose tent pegs do not fail, whose waters are broad and inaccessible to hostile ships, and whose people receive both healing and forgiveness. The Greek text is rhetorically tight and at several points distinctive in diction, especially in its meditation on fear, covenantal collapse, and the stable riches of Zion.

Isaiah 34 — ΗΣΑΪΑΣ ΛΔ′

Theme. The nations, and especially Edom, are devoted to total desolation.

Outline.

Translation & textual notes. Isaiah 34 in the Septuagint is a concentrated judgment poem against the nations, focused especially on Idumea as the emblem of total devastation. The chapter opens by summoning earth, rulers, and the inhabited world to hear, then unfolds a cosmic theater in which mountains dissolve in blood, the heavens roll up like a scroll, and the Lord's sword descends from heaven already drunk with slaughter. Its sacrificial language is deliberate: Edom's ruin is cast as a great offering in Bosor, so that political overthrow is imagined in liturgical and cultic terms. The final movement intensifies the desolation by filling the land with pitch, sulfur, measuring lines of ruin, desert birds, demons, onocentaurs, sirens, and strange animal rest. The Greek version lingers over this transformed landscape and closes by insisting that the creatures inhabit it by divine command and allotment, making the ruin not accidental waste but a decreed, enduring inheritance of judgment.

Isaiah 35 — ΗΣΑΪΑΣ ΛΕ′

Theme. The desert blooms as the redeemed return on the holy way.

Outline.

Translation & textual notes. Isaiah 35 answers the devastation of the previous chapter with a concentrated restoration oracle. The Septuagint presents the wilderness not merely as repaired land but as a liturgical participant: the desert rejoices, blooms, and receives the borrowed glory of Lebanon and Carmel. The chapter then turns from landscape to body, promising strengthened knees, opened eyes, restored hearing, and a loosened tongue before moving to the image of a holy road on which the redeemed return without threat or defilement. The Greek wording has several distinct turns, including the reference to the wildernesses of the Jordan, the emphasis on the scattered who travel the holy way, and the final picture of praise overtaking the returnees. Taken as a whole, the chapter functions as an eschatological reversal of exile, disability, danger, and sorrow under the direct coming of Israel's God.

Isaiah 36 — ΗΣΑΪΑΣ ΛϚ′

Theme. Assyria's field propaganda tests Hezekiah and Jerusalem in historical crisis.

Outline.

Translation & textual notes. Isaiah 36 shifts from poetic oracle to historical narrative and closely parallels the Assyrian crisis account known from 4 Kingdoms 18-19. The chapter stages a confrontation not yet of armies but of competing claims: Rabshakeh challenges Hezekiah's political judgment, mocks reliance on Egypt, and attempts to redefine trust in the Lord as a fatal illusion. The Septuagint preserves the propagandistic shape of the speech with vivid public-language details, including the request to switch from Judean to Aramaic and the deliberate refusal meant to reach the people on the wall. The rhetoric is theological as much as military, since the Assyrian envoy treats the God of Jerusalem as one more local deity to be tested against imperial force. The chapter ends not with an answer but with disciplined silence, leaving the blasphemous challenge hanging until the king seeks the Lord in the following narrative.

Isaiah 37 — ΗΣΑΪΑΣ ΛΖ′

Theme. The Lord answers Hezekiah, humbles Sennacherib, and defends Zion.

Outline.

Translation & textual notes. Isaiah 37 is the Septuagint's climactic Hezekiah-Sennacherib deliverance narrative, closely parallel to 4 Kingdoms 19 but presented here within Isaiah's prophetic book as the historical proving ground of the Zion oracles. The chapter moves from ritual lament and prophetic consultation, through Sennacherib's renewed written blasphemy, to Hezekiah's temple prayer and Isaiah's answering oracle of judgment. The Greek keeps the scene stark and public: the living God is contrasted with the crafted gods of the nations, Zion is personified as the mocking virgin daughter, and Assyrian imperial self-exaltation is answered by the Lord's sovereign claim to have long ago ordained the rise and fall of nations. The sign of the remnant taking root downward and bearing fruit upward links immediate rescue to Judah's ongoing future, while the final assassination of Sennacherib in the house of his own god seals the theological verdict of the chapter.

Isaiah 38 — ΗΣΑΪΑΣ ΛΗ′

Theme. Hezekiah is healed from death and answers with a king's thanksgiving.

Outline.

Translation & textual notes. Isaiah 38 joins court narrative and royal thanksgiving in a way that gives the Hezekiah cycle both public and intimate depth. The chapter begins with a death sentence and a prayer turned toward the wall, but it quickly becomes a witness to the Lord's hearing, seeing, adding years, and defending Jerusalem. The sign of the returning shadow makes cosmic motion itself answer the prophetic word. At the chapter's center stands Hezekiah's prayer-song, where the king interprets illness through images of Sheol, severed tent-cords, shattered bones, birdsong, and restored breath. The Septuagintal form is especially striking in its movement from mortal compression to praise before the house of God: healing is not merely survival, but renewed capacity to bless the Lord among the living and to hand on his righteousness to the next generation.

Isaiah 39 — ΗΣΑΪΑΣ ΛΘ′

Theme. Babylon's embassy becomes the hinge from rescue to coming exile.

Outline.

Translation & textual notes. Isaiah 39 revisits the Babylonian embassy episode from the Hezekiah narrative but frames it here as a hinge between deliverance and exile. The chapter begins with diplomatic courtesy and royal display: Hezekiah welcomes the envoys of Babylon and exposes the full range of his treasuries, armory, and storehouses. Isaiah's questions then turn the scene from courtly exchange to prophetic audit, pressing the king to name both the visitors and the extent of what they have seen. The oracle in 39:5-7 announces the long consequence of that display: the wealth accumulated in Judah will be carried to Babylon, and even royal offspring will serve there in humiliating dependence. The closing verse is strikingly restrained. Hezekiah accepts the word as good because peace and righteousness will remain in his own days, a response that in the Greek text sounds both pious and tragically narrow. The chapter thus functions as an interpretive bridge from Assyrian crisis to Babylonian future and prepares the reader for the new consolatory horizon that opens in the next chapter.

Isaiah 40 — ΗΣΑΪΑΣ Μ′

Theme. Comfort sounds in the wilderness because the incomparable God comes to shepherd.

Outline.

Translation & textual notes. Isaiah 40 marks a decisive turn in the book from royal crisis narrative to a great liturgy of consolation. The chapter opens with repeated commands to comfort God's people and to speak to Jerusalem's heart, announcing that her humiliation has been fulfilled and her sin released. From there the Greek text moves through the famous wilderness proclamation, cosmic leveling, and the revelation of the Lord's glory to all flesh. The middle of the chapter contrasts mortal frailty with the permanence of the divine word and then presents the herald of good news announcing the arrival of Israel's God as king and shepherd. The latter half turns to a sustained theological disputation: no creature can measure creation, instruct the Lord, compare with him, or sustain an idol beside him. The closing strophe answers Zion's despair by insisting on God's unwearied sovereignty and his power to renew the exhausted. Throughout, the Septuagint's diction gives this chapter a strongly liturgical and theological cast, especially in its address to priests, its rendering of salvation language, and its climactic promise that those who wait for God will exchange weakness for strength.

Isaiah 41 — ΗΣΑΪΑΣ ΜΑ′

Theme. The Lord challenges the nations, shames idols, and strengthens his chosen servant Israel.

Outline.

Translation & textual notes. Isaiah 41 is shaped as a trial speech in which the Lord summons the coastlands and their rulers, exposes the impotence of idols, and reassures Israel of its election. The chapter moves from the international scene to the intimate address of Jacob, so that the same divine sovereignty that raises conquerors and topples kings also upholds the weak remnant by the hand. A sustained polemic against images runs through the middle and closing sections: craftsmen encourage one another, but their gods cannot interpret the past or disclose the future. Against that silence stands the Lord, who names the generations from the beginning, promises water in the wilderness, and turns Israel itself into the instrument of his victory. The chapter therefore binds monotheistic argument, historical providence, and covenant consolation into a single prophetic unit.

Isaiah 42 — ΗΣΑΪΑΣ ΜΒ′

Theme. The servant brings justice, and the Lord's new praise rises over blind Israel.

Outline.

Translation & textual notes. Isaiah 42 introduces the servant in an overtly restorative and judicial frame. In the Greek text the servant is explicitly identified with Jacob and Israel, yet the portrait remains concentrated enough to sustain the servant as a representative figure who bears the people's vocation. The chapter balances tenderness and force: the servant will not crush the bruised reed, yet the Lord himself goes forth like a warrior and finally explains Judah's devastation as covenant judgment. A notable sequence links justice, illumination, and release from prison, so that the servant's mission answers both the blindness of the nations and the blindness of Israel. The chapter therefore works on two levels at once, offering a missionary charter for the chosen servant and a severe diagnosis of the people's failure to hear the law of the God whose glory cannot be transferred to idols.

Isaiah 43 — ΗΣΑΪΑΣ ΜΓ′

Theme. The Lord redeems Israel through the waters and claims history for himself alone.

Outline.

Translation & textual notes. Isaiah 43 turns from accusation to consolation without softening the Lord's absolute sovereignty. The Greek chapter is shaped by redemption language, witness language, and new-exodus imagery: the God who once opened a way through the sea now promises another saving intervention that will gather Jacob from every direction and even make the wilderness hospitable. The middle of the chapter stages a juridical contest in which the nations cannot produce witnesses, while Israel and the servant are summoned to testify that the Lord alone saves. Yet the closing unit refuses sentimentality. The people who were formed for praise have burdened God with sins instead of honoring him with worship, so forgiveness appears not as denial of guilt but as a sovereign act of grace issuing from the same Lord who also handed Jacob over to reproach.

Isaiah 44 — ΗΣΑΪΑΣ ΜΔ′

Theme. The Creator promises Spirit and mocks the craftsmen who make idols.

Outline.

Translation & textual notes. Isaiah 44 develops the contrast between the Lord's creative fidelity and the absurdity of idols with unusual sharpness in Greek. The first half of the chapter promises Spirit and blessing to Jacob's offspring so that belonging to God becomes a public confession rather than a private memory. The long satire on image-making then dismantles idolatry by dwelling on process: the same wood that warms the craftsman and bakes bread is promoted into a god, exposing worship as a projection sustained by blindness of heart. The closing section turns from mockery to hope. The Lord who alone stretched out heaven also blots out sin, confirms prophetic words, and astonishingly names Cyrus as the coming agent of restoration. Creation, redemption, anti-idol polemic, and imperial history are thus drawn together under the single claim that no rival deity can speak or act as the God of Israel does.

Isaiah 45 — ΗΣΑΪΑΣ ΜΕ′

Theme. Cyrus serves the Lord's purpose, proving that there is no God besides him.

Outline.

Translation & textual notes. Isaiah 45 binds the rise of Cyrus to an uncompromising confession of the Lord's sole divinity. The Greek text repeatedly sets the naming and empowering of Cyrus beside the refrain that there is no God besides the Lord, so that imperial history becomes evidence for monotheistic sovereignty rather than a challenge to it. The chapter also juxtaposes creation and redemption: the one who forms light and creates darkness, who established earth for habitation and not for emptiness, is the same one who raises the foreign king to rebuild the city and return the captives. A striking LXX feature appears in the summons to heaven and earth to rain and sprout righteousness together with mercy, and in the universal oath that every knee will bend and every tongue confess to God. The chapter therefore moves from Cyrus, to creation, to the conversion of the nations, while ending with the vindication and glory of Israel in the Lord.

Isaiah 46 — ΗΣΑΪΑΣ ΜϚ′

Theme. Babylon's gods stoop while Israel's God still carries his people.

Outline.

Translation & textual notes. Isaiah 46 continues the anti-idol argument by staging a vivid contrast between Babylon's collapsing gods and Israel's God who carries his people. The chapter opens with Bel and Dagon reduced to burdens on beasts, a reversal that mocks the supposed majesty of idols by showing them as freight that exhausts the animals hauling them away. Against that impotence, the Lord addresses the house of Jacob as the one who has borne them from the womb and will still bear them into old age. The middle of the chapter presses the satire further: artisans hire a goldsmith, construct a god, set it in place, and then pray to the object that cannot move or answer. The closing section returns to the Lord's unique prerogatives of remembering, foretelling, and bringing near righteousness and salvation in Zion, so that the chapter links monotheistic polemic with covenant tenderness and eschatological assurance.

Isaiah 47 — ΗΣΑΪΑΣ ΜΖ′

Theme. Virgin Babylon is stripped, shamed, and left helpless before disaster.

Outline.

Translation & textual notes. Isaiah 47 is the Septuagint's taunt over fallen Babylon. The chapter drives the imperial city from luxury to humiliation through a chain of commands: descend, sit in the dust, grind flour, uncover shame, and cross rivers like an enslaved woman. The Greek stresses both Babylon's self-deifying confidence and the Lord's judicial exposure of her violence, sorcery, and false security. The close turns polemical as astrologers, incantations, and commercial allies alike fail to save, so that Babylon's collapse becomes a demonstration that no imperial wisdom can withstand the Holy One of Israel.

Isaiah 48 — ΗΣΑΪΑΣ ΜΗ′

Theme. Israel speaks covenant words without truth, yet the Lord still refines and leads.

Outline.

Translation & textual notes. Isaiah 48 rebukes Israel for covenant speech without covenant truth while simultaneously asserting the Lord's unrivaled control over history. The Septuagint alternates accusation and consolation: Israel is stubborn, idolatry-prone, and deaf, yet the Lord continues to declare former and new things so that his name, not idols, receives glory. The chapter also links judgment and redemption, describing the people as refined in affliction and then calling them to depart Babylon in a new exodus. Its closing tension is characteristic of Isaiah: the redeemed are summoned out with joy, yet peace remains withheld from the ungodly.

Isaiah 49 — ΗΣΑΪΑΣ ΜΘ′

Theme. The servant is formed to restore Israel and become light for the nations.

Outline.

Translation & textual notes. Isaiah 49 is one of the great servant passages in the Septuagint. The chapter moves from the servant's prenatal calling and sharpened prophetic mouth to his apparent frustration, then expands his mission beyond Jacob to the nations and the ends of the earth. The Greek repeatedly ties salvation to restoration: prisoners are summoned out, the desolate land is re-inherited, and Zion's complaint of abandonment is answered with maternal and even bodily imagery of divine remembrance. The close turns triumphal and political as nations, kings, and queens become bearers of Zion's children, while the Lord asserts that even the prey of the mighty can be rescued by his judgment.

Isaiah 50 — ΗΣΑΪΑΣ Ν′

Theme. The obedient servant stands amid accusation, suffering, and vindicating trust.

Outline.

Translation & textual notes. Isaiah 50 frames exile and restoration through legal, prophetic, and servant imagery. The opening denies that the Lord discarded Zion arbitrarily: the rupture came through Israel's sins, not through any failure of divine power. The middle of the chapter turns to the obedient servant whose opened ear, taught tongue, and unflinching endurance under blows and spitting make him the model witness who trusts the Lord's vindication. The close then divides the hearers: those who fear the Lord must trust his name while walking in darkness, but those who kindle their own fire discover that self-made light ends in grief.

Isaiah 51 — ΗΣΑΪΑΣ ΝΑ′

Theme. Ancient promises and cosmic comfort overturn Jerusalem's cup of wrath.

Outline.

Translation & textual notes. Isaiah 51 moves from patriarchal memory to cosmic assurance and then to Jerusalem's cup-of-wrath reversal. The Septuagint sharpens the chapter's exhortatory character by repeatedly summoning the audience to hear, look, and wake, while its language of law, light, and salvation extends Zion's restoration toward the nations. The latter half pivots from the imagery of the Lord's ancient sea-victory to Jerusalem's exhaustion under the cup of wrath, only to end with that same cup transferred to her oppressors.

Isaiah 52 — ΗΣΑΪΑΣ ΝΒ′

Theme. Zion awakes, the herald arrives, and the servant is lifted up.

Outline.

Translation & textual notes. Isaiah 52 gathers Zion-restoration, exodus imagery, and servant theology into a tightly staged sequence. The Septuagint emphasizes the city's renewed holiness, the public vindication of the divine name among the nations, and the heralding of salvation as audible good news. The chapter culminates in the opening servant lines that lead into Isaiah 53, where exaltation and humiliation are already held together in paradoxical tension.

Isaiah 53 — ΗΣΑΪΑΣ ΝΓ′

Theme. The innocent servant bears sins, suffers silently, and is vindicated by God.

Outline.

Translation & textual notes. Isaiah 53 is the Septuagint's concentrated portrait of the suffering servant as the innocent bearer of others' sins. The Greek stresses both humiliation and substitution: the servant is despised, judged away, and handed over to death, yet he bears the sins of many and becomes the locus of healing and peace for others. The LXX also sharpens several lines in distinctive ways, speaking of the servant's sickness-bearing, the removal of his judgment, and the Lord's will to cleanse him from the blow. The chapter therefore moves from incredulity, through vicarious suffering and silent submission, to divine vindication and the servant's share among the many.

Isaiah 54 — ΗΣΑΪΑΣ ΝΔ′

Theme. The barren, abandoned woman is restored in lasting covenant compassion.

Outline.

Translation & textual notes. Isaiah 54 follows the servant poem with a restoration oracle addressed to Zion as a barren and abandoned woman whom the Lord now reclaims. The Septuagint emphasizes both reversal and permanence: the deserted one is commanded to rejoice, expand, and forget her old shame because the Lord of hosts is her maker and redeemer. The chapter also links this restoration to covenant stability, comparing the promise to the oath after Noah's flood and ending with an image of a rebuilt city whose children are taught by God and whose enemies cannot prosper. The movement is from infertility and reproach to mercy, architectural splendor, and secure righteousness under the Lord's protection.

Isaiah 55 — ΗΣΑΪΑΣ ΝΕ′

Theme. The thirsty are invited freely into covenant mercy and fruitful return.

Outline.

Translation & textual notes. Isaiah 55 is the Septuagint's great invitation chapter, summoning the thirsty and impoverished to receive God's gifts without payment and then grounding that summons in covenant promise. The Greek foregrounds the Davidic dimension of the oracle, presenting the faithful mercies of David as a public witness that draws unknown nations toward Israel's God. The chapter then turns to repentance, contrasting divine counsel and human counsel, and climaxes in the rain-and-word comparison: the Lord's utterance does not return empty but accomplishes what he wills. The close recasts restoration as a joyful procession in which creation itself welcomes the redeemed and the curse of wasteland vegetation is reversed into a lasting sign of the Lord's name.

Isaiah 56 — ΗΣΑΪΑΣ ΝϚ′

Theme. True covenant keeping welcomes foreigners and eunuchs into the Lord's house.

Outline.

Translation & textual notes. Isaiah 56 opens the next movement of the book by joining ethical urgency to an expansive vision of covenant inclusion. The Septuagint begins with the demand to keep justice because the Lord's salvation and mercy are near, then offers one of its sharpest statements that those once excluded, especially eunuchs and foreigners, may receive a lasting place in God's house if they hold fast to his covenant. The famous declaration that the temple will be called a house of prayer for all nations stands at the chapter's center. The final section turns abruptly to indictment: Israel's watchmen are blind, mute, and greedy like useless dogs, so predatory beasts are invited to devour. The chapter therefore moves from inclusive promise to severe critique of failed leadership.

Isaiah 57 — ΗΣΑΪΑΣ ΝΖ′

Theme. Idolatrous restlessness is judged, but the contrite are healed and raised.

Outline.

Translation & textual notes. Isaiah 57 contrasts the quiet removal of the righteous with the noisy instability of Israel's idolatrous apostasy. The Septuagint sharpens the denunciation with sexualized cultic imagery, memorial tokens set behind doors, and futile diplomatic striving that reaches even to Hades. Yet the chapter pivots from exposure to restoration: the Most High who dwells among the holy also gives patience to the fainthearted and life to the crushed, healing the one he briefly struck and announcing 'peace upon peace' to the far and the near. The close holds the tension together by promising comfort to the contrite while denying any durable peace to the ungodly.

Isaiah 58 — ΗΣΑΪΑΣ ΝΗ′

Theme. The Lord rejects performative fasting and calls for justice that restores.

Outline.

Translation & textual notes. Isaiah 58 is the Septuagint's sustained critique of performative piety. The chapter begins with a trumpet-like accusation: the people seek God daily and demand righteous judgment while their fasting conceals exploitation, violence, and self-interest. The LXX then defines the fast the Lord actually chooses in concrete social terms: loose unjust bonds, release the crushed, feed the hungry, shelter the homeless, clothe the naked, and do not hide from your own kin. From that obedient mercy flow light, healing, answered prayer, restored ruins, Sabbath delight, and covenant inheritance. The chapter therefore binds worship, justice, and restoration together so tightly that true nearness to God can never be separated from merciful action toward the vulnerable.

Isaiah 59 — ΗΣΑΪΑΣ ΝΘ′

Theme. Sin blocks salvation until the Lord arises as warrior and redeemer.

Outline.

Translation & textual notes. Isaiah 59 is a tightly structured indictment and confession that turns into a divine-warrior oracle. The Septuagint sharpens the chapter's moral logic by piling up forensic vocabulary such as κρισις, δικαιοσυνη, and αληθεια, then answers the communal lament with the Lord's own intervention. The closing covenant promise binds deliverance, prophetic speech, and enduring posterity together.

Isaiah 60 — ΗΣΑΪΑΣ Ξ′

Theme. Zion rises in light as nations, wealth, and glory stream home.

Outline.

Translation & textual notes. Isaiah 60 is Zion's great restoration hymn, built around light, pilgrimage, wealth, and architectural renewal. The Septuagint repeatedly frames Jerusalem's future in terms of visible glory, the submission of kings, and the transformation of former shame into durable praise. The chapter culminates by replacing sun and moon with the Lord's own everlasting light, so that cosmic imagery serves the theology of restored communion.

Isaiah 61 — ΗΣΑΪΑΣ ΞΑ′

Theme. The anointed herald proclaims release, restoration, priestly honor, and bridal joy.

Outline.

Translation & textual notes. Isaiah 61 is the Servant-Zion proclamation chapter in which Spirit-anointing, good news, release, healing, restoration, priestly dignity, covenant permanence, and bridal joy are woven into one programmatic oracle. The Septuagint is especially important because its wording stands behind Luke 4:18-19: πνεῦμα κυρίου ἐπ' ἐμέ, ἔχρισέν με, εὐαγγελίσασθαι πτωχοῖς, κηρύξαι αἰχμαλώτοις ἄφεσιν, and the acceptable year of the Lord. The Greek also sharpens the chapter's exchange imagery by setting glory over against ashes, oil of gladness over mourning, and the garment of praise over faintness, so that restoration is presented as liturgical and communal transfiguration. The chapter then turns outward from the herald's commission to Zion's rebuilding, the service of foreigners, the people's priestly status, and the everlasting covenant that secures their posterity. Versification follows the LXX.

Isaiah 62 — ΗΣΑΪΑΣ ΞΒ′

Theme. Zion's vindication will not be silenced until holiness fills the land.

Outline.

Translation & textual notes. Isaiah 62 is the chapter of Zion's unsilenced vindication. The prophet refuses silence until Jerusalem's righteousness shines out, and the city receives a sequence of new names that reverse abandonment: no longer Forsaken and Deserted, but a land delighted in and a bride joined to her husband. The Septuagint emphasizes both visibility and covenantal joy, repeatedly presenting Zion as an object of divine and international recognition. The middle of the chapter joins nuptial imagery to watchman imagery: sentinels on the walls are charged never to rest until Jerusalem becomes praise in the earth. The closing verses combine oath, harvest-security, and heraldic command as salvation approaches and the people are named holy, redeemed, and sought out. Versification follows the LXX.

Isaiah 63 — ΗΣΑΪΑΣ ΞΓ′

Theme. The warrior from Edom answers with remembered mercies and communal lament.

Outline.

Translation & textual notes. Isaiah 63 is a deliberately split chapter in the Septuagint: first the divine warrior arrives from Edom with garments reddened by judgment, then the voice of the community turns to remembrance, lament, and appeal. The opening dialogue presents the conqueror as one mighty to save yet terrible in wrath, treading the nations in solitary vengeance. The second half recalls the Lord's covenant mercy in the exodus, the angel of his presence, the grief caused by Israel's rebellion, and the ensuing cry for renewed compassion. The Greek keeps the tension between remembered deliverance and present abandonment sharp, so that the chapter becomes both victory oracle and communal intercession. Versification follows the LXX.

Isaiah 64 — ΗΣΑΪΑΣ ΞΔ′

Theme. The remnant begs for theophany, confesses sin, and mourns ruined Zion.

Outline.

Translation & textual notes. Isaiah 64 continues the communal prayer begun at the end of the previous chapter and presses it into the language of theophany, confession, and devastated Zion. The people ask that God rend the heavens and come down as in ancient acts of fearful deliverance, yet they also acknowledge that hiddenness and wrath have met a community long entangled in impurity and sin. The Septuagint preserves the chapter's oscillation between awe and abasement: human righteousness is frail, the potter-clay metaphor exposes creaturely dependence, and the ruined sanctuary becomes the visible sign of covenant crisis. The chapter therefore functions as a corporate penitential appeal that binds liturgical memory, confession, and desolation together. Versification follows the LXX.

Isaiah 65 — ΗΣΑΪΑΣ ΞΕ′

Theme. Rebellious idolaters fall while the Lord creates joy for his servants.

Outline.

Translation & textual notes. Isaiah 65 is the chapter of divided response and eschatological reversal. The Lord answers those who did not seek him, indicts a rebellious people whose cult, appetite, and self-regard provoke continual judgment, and then sharply distinguishes servants from those who forsake the holy mountain. The Septuagint makes the polarity relentless: blessing versus curse, singing versus shame, remembered name versus name left for an oath. The latter half of the chapter moves into the new-creation horizon where Jerusalem is joy, longevity replaces premature death, labor is not frustrated, and reconciled creation shares the peace of God's renewed world. The Greek thus joins present controversy to cosmic renewal without softening either side. Versification follows the LXX.

Isaiah 66 — ΗΣΑΪΑΣ ΞϚ′

Theme. True worship, final judgment, Zion's birth, and worldwide mission close the book.

Outline.

Translation & textual notes. Isaiah 66 closes the book by setting true humility and acceptable worship over against hollow religiosity, then widening the horizon to birth, judgment, consolation, mission to the nations, and final moral division. The opening oracle insists that heaven and earth cannot contain God, so the one he regards is the humble and trembling hearer rather than the merely sacrificial formalist. Zion then appears as the mother who gives birth with astonishing suddenness, and Jerusalem becomes the place where comfort flows like a river even while the Lord arrives in fire against his enemies. The closing movement universalizes the vision: survivors are sent to distant nations, all flesh comes to worship, and the rebels remain as an everlasting warning. The Septuagint preserves the book's severe and majestic ending, where temple critique, maternal restoration, and cosmic pilgrimage stand together. Versification follows the LXX.


How the data set is organized

The interpretive tiers (syntactic function, semantic force, discourse structure, and the proposed argument outlines) are interpretive by nature; where readings legitimately differ, the more common analysis was generally chosen, and the lexical notes are condensed orientation rather than a substitute for a lexicon (e.g. LEH / Muraoka) or a full commentary.